We were sad to hear that the visionary George Lois, died last week. Compiled by Burgess and Louise Colbourne, This Is Hardcore is available for pre-purchase now. īoth standard and limited collector’s editions of MuirMcNeil’s System Process Form are now available at Volume, together with a range of uniquely seductive rewards.Īlso from Volume: a never-before-seen selection of Paul Burgess photographs documenting the British band, Pulp. In the latest issue of Print, Paul Sahre discusses his grammy nomination with Debbie Millman. ĭesign fiction-a speciulative pracrtice that combines science fiction, design thinking, and foresight-might be the next innovation in business. Weird and wonderful artifacts, via Jason Kottke. Īfter escaping from a creatively-repressed and unsatisfactory graphic design career, Sticht became a public safety officer at the University of Rochester. Set on half an acre in the lovely hamlet of High Falls, New York, the studio that once served Marc Chagall is for sale. Penmanship, cursive, handwriting-what’s the point? (Play their logo generator yourself, here.) īest design stories of 2022, from The Guardian. Microsoft Surface Studio is a worthy rival capable of shifting the balance by giving PC loyalists major bragging rights. Engineers need the right equipment and set of materials to construct a bridge people cross from one point of suspended space to another. Wieden+Kennedy London launches standalone branding and design studio-called- NOT Wieden+Kennedy. Musicians use instruments to play a tune. Ĭorn husks were just the start: a Mexican designer in London writes his own rules. Jerald Cooper’s aim is to make architecture and design more accessible by using layman’s language to break down barriers typically set up by white academics with advanced degrees. In Denmark, thinking-and designing- out of the (grey) box. Ruth Adler Schnee, one of the more important textile designers of midcentury modernism, dies at 99. The artist whose book covers distilled the nineteen-eighties. Proving that America really is in crisis, the US State Department changes its official font to Calibri. Will the future of design be collaborative? Figma’s Yuhki Yamashita thinks so. (Via Natalia Pangaro.) Ĭoming soon to The Design Museum in London, an exhibition on design and history-organized by the Chinese dissident artist Ai Weiwei. Lou Dorfsman and Al D’Amato’s powerful advertisement from 1962: an appraisal. The Tate Modern’s “public” viewing area allows museum visitors to look straight into the homes of the residents of a nearby building: interested readers can nerd out on the forty-seven page ruling that explains why a design decision can fall prey to the laws of public nuisance. It does not store any personal data.Design and disability: the urban way. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Advertisement". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly.
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